Trouble #14: Fighting Where We Stand

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SubMedia returns with another episode of Trouble that focuses on the defense of autonomous spaces.

In our hyper-alienated and media-saturated societies, struggles for collective liberation are all too often reduced to a contest of ideas. Rather than fighting tooth and nail against conditions of exploitation, oppression and ecological devastation, we often instead find ourselves mired in an endless cycle of argument, critique and debate. But while theory can and should play an important role in informing our actions and helping to build relationships based in trust and mutual understanding… at the end of the day, any meaningful practice of collective autonomy requires the capacity to actually defend territory.

Though they often draw inspiration from one another, struggles for territorial autonomy – if they are to be successful – must be based on local realities. After all… defending a physical space means fighting where we stand. And so the battle to defend a squatted social center in an urban neighbourhood will necessarily look very different from one waged by Indigenous land defenders against the encroachment of pipeline companies through their territories. But though these struggles may assume different forms, they stem from a shared resolve to draw a line in the sand and to defend it… come what may.

In this month’s episode of Trouble, subMedia showcases three ongoing land defence struggles: the Unist’ot’en Camp, located on the unceded Wet’suwet’en territories of so-called “British Columbia”; the autonomous spaces movement in Ljubljana, Slovenia and the eco-defence occupation known as La ZAD, in Notre-Dame-des-Landes, France.


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submedia.tv
subMedia.tv is a video production ensemble, which aims to promote anarchist and anti-capitalist ideas, and aid social struggles through the dissemination of radical films and videos. Founded in 1994, subMedia.tv has produced hundreds of videos on everything from anti-globalization protests to films about shoplifting. Our films have been screened around the world in social centers and movie theaters and have been watched by millions on the internet.